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DTSTART;TZID=America/New_York:20240315T180000
DTEND;TZID=America/New_York:20240315T180000
DTSTAMP:20240118T115933
CREATED:20240115T182022Z
LAST-MODIFIED:20240115T182022Z
UID:131140-1710525600-1710525600@nataliesgrandview.com
SUMMARY:Marion Meadows with Urban Jazz Coalition - Early Show
DESCRIPTION:Natalie’s presents a special evening with the amazing saxophonist Marion Meadows backed by The Urban Jazz Coalition! Marion Meadows first hit the airwaves in 1991 with “For Lovers Only”\, his first RCA release and a huge success\, and was followed by his groundbreaking “Keep it Right There” album. He also became a well-known sideman\, recording or performing over the years with Brook Benton\, Eartha Kitt\, The Temptations\, Michael Bolton\, Angela Bofill\, Bob Baldwin\, Chuck Loeb\, John Lee\, among many others.  \nMeadows came a staple of the contemporary jazz format with his subsequent recordings\, and most recently Soul Traveler\, the first installment of his Soul Trilogy which now showcases his current release\, Soul City” on the New York-based Shanachie Label. Meadows is a semi-pro cyclist\, graphic artist and designer and received a doctorate from Wilberforce University in 2016. \nThe Urban Jazz Coalition (UJC) has been one of the hottest live performance ensembles on the contemporary jazz scene for some time now and 2022 marks the celebration of this groundbreaking band’s 27th Anniversary as a performing group! UJC has electrified audiences performing their unique and energetic blend of R&B/Jazz/Fusion at a multitude of prominent jazz festivals around the country\, including The Capital Jazz Festival\, The Seabreeze Jazz Festival\, Capital Jazz Fest Supercruise\, The Boscov/Berks Jazz Festival\, The Rehoboth Beach Jazz Festival\, Jazz Fest West\, The Russian River Jazz Festival\, River Raisin Jazz Festival\, and many more. \nFood & Bar: Our full food and drink menu will be available before and during the show. \n 
URL:https://nataliesgrandview.com/events/marion-meadows-with-urban-jazz-coalition-early-show/
LOCATION:Natalie’s Grandview – Music Hall Stage\, 945 King Avenue\, Columbus\, OH\, 43212\, United States
CATEGORIES:Music Hall Stage
ATTACH;FMTTYPE=image/jpeg:https://nataliesgrandview.com/wp-content/uploads/2024/01/March-2024-show-MM-Dance-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240315T210000
DTEND;TZID=America/New_York:20240315T210000
DTSTAMP:20240118T115933
CREATED:20240115T182605Z
LAST-MODIFIED:20240115T182605Z
UID:131144-1710536400-1710536400@nataliesgrandview.com
SUMMARY:Marion Meadows with Urban Jazz Coalition - Late Show
DESCRIPTION:Natalie’s presents a special evening with the amazing saxophonist Marion Meadows backed by The Urban Jazz Coalition! Marion Meadows first hit the airwaves in 1991 with “For Lovers Only”\, his first RCA release and a huge success\, and was followed by his groundbreaking “Keep it Right There” album. He also became a well-known sideman\, recording or performing over the years with Brook Benton\, Eartha Kitt\, The Temptations\, Michael Bolton\, Angela Bofill\, Bob Baldwin\, Chuck Loeb\, John Lee\, among many others. \nMeadows came a staple of the contemporary jazz format with his subsequent recordings\, and most recently Soul Traveler\, the first installment of his Soul Trilogy which now showcases his current release\, Soul City” on the New York-based Shanachie Label. Meadows is a semi-pro cyclist\, graphic artist and designer and received a doctorate from Wilberforce University in 2016. \nThe Urban Jazz Coalition (UJC) has been one of the hottest live performance ensembles on the contemporary jazz scene for some time now and 2022 marks the celebration of this groundbreaking band’s 27th Anniversary as a performing group! UJC has electrified audiences performing their unique and energetic blend of R&B/Jazz/Fusion at a multitude of prominent jazz festivals around the country\, including The Capital Jazz Festival\, The Seabreeze Jazz Festival\, Capital Jazz Fest Supercruise\, The Boscov/Berks Jazz Festival\, The Rehoboth Beach Jazz Festival\, Jazz Fest West\, The Russian River Jazz Festival\, River Raisin Jazz Festival\, and many more. \nFood & Bar: Our full food and drink menu will be available before and during the show.
URL:https://nataliesgrandview.com/events/marion-meadows-with-urban-jazz-coalition-late-show/
LOCATION:Natalie’s Grandview – Music Hall Stage\, 945 King Avenue\, Columbus\, OH\, 43212\, United States
CATEGORIES:Music Hall Stage
ATTACH;FMTTYPE=image/jpeg:https://nataliesgrandview.com/wp-content/uploads/2024/01/March-2024-show-MM-Dance-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240322T200000
DTEND;TZID=America/New_York:20240322T200000
DTSTAMP:20240118T115933
CREATED:20231025T150059Z
LAST-MODIFIED:20240114T172847Z
UID:130241-1711137600-1711137600@nataliesgrandview.com
SUMMARY:DAVE HAUSE - SOLD OUT
DESCRIPTION:DAVE HAUSE’S SONGS HAVE ALWAYS BEEN ROOTED IN TANGIBLE REALITY—OF EMOTION\, OF ENVIRONMENT\, OF CIRCUMSTANCE.  \nSince releasing his debut album\, Resolutions\, in 2011\, the Philadelphia-born songwriter has poured his whole heart\, soul and life into his music. That’s no different on Drive It Like It’s Stolen\, his sixth full-length. Its 10 songs overflow with Hause’s trademark urgency and passion\, shimmering with a truth that reflects the harsh realities of life in this day and age\, as well the intermittent jolts of joy that punctuate it. After all\, his songs have always detailed his own personal traumas and triumphs within the setting of an unforgiving capitalist backdrop\, tethering those personal experiences to ineluctable external forces. 2013’s second album\, Devour\, for example\, was a response to his divorce from his first wife\, while 2019’s Kick saw him tackle hope\, depression\, global warming and a crumbling American democracy with the news that he was to become a father. Most recently\, on 2021’s Blood Harmony\, Hause wrote and sang about the positive impact of having twins\, and of the joy and excitement of being able to be at home with them for the first couple of years of the pandemic.  \n Drive It Like It’s Stolen is just as earnest and heartfelt\, raw and real as anything he’s ever written before. Yet there’s also a subtle yet significant difference—here he’s delving into a more fictional type of storytelling to create what he terms “post-apocalyptic Americana.” That’s clear from the title of this album’s haunting and ominous opening song\, “Cheap Seats (New Year’s Day\, NYC\, 2042)”. Set two decades in the future\, it’s obviously not about anything that’s actually happened\, but is still very much inspired by life. At the start of 2022\, Hause was in a good place. He’d changed his diet and had maintained a strenuous workout regimen resulting in improved physical and mental health. Feeling great\, he’d decided to go off Lexapro and left to go out on the Blood Harmony band touring.  \n “I was feeling great\,” he recalls. “I came back to work\, didn’t have my meds. But then I’m on tour\, I’m not working out\, I’m not eating that way anymore. And I’m really faced with the American city\, the American experiment post-pandemic. We’re going places and being like\, ‘Oh\, my God\, this is what Portland and San Francisco and Los Angeles look like.’ And it looked terrifying. Whenever I went anywhere\, I felt like I was watching the prequel to 12 Monkeys\, except I was also living it and just wondering what the fuck was going on. The tour was doing well\, but it just felt like my mental health was falling down stairs. A few months later\, when we were finishing the tour\, we heard stories that people were siphoning gas out of tour buses. So\, a lot of the record was kind of born of and trying to wrestle with that.” \n To that extent\, the future dystopia of “Cheap Seats” is very real—a vivid depiction of a society on the verge of collapse based on Hause’s experience as a touring musician and then filtered through his imagination. If “Cheap Seats” sets the tone with its dream of escape from a ravaged New York City\, then song “Pedal Down” starts that road trip. It’s a gloomy\, glowering\, dark early morning ride through desolate\, post-apocalyptic streets\, whose atmosphere really places you inside that car. A moody and monochrome song full of portent and hope in equal measure\, it’s both a literal journey—captured by the album’s striking cover\, which replicates the view of one of his twins in the back seat as the family drives away—and a metaphorical exploration of Hause’s fears and anxiety of being a parent in modern day America. ‘But we lead our lambs to slaughter\,” he sings. ‘It’s profit\, boot straps\, and guns/Every god needs a sacrifice/Honey\, what have we done?’ On one level it’s a simple question directed at his wife about having kids. On another\, it’s tackling the whole American system.  \n“Having children sounds like a great idea\,” he explains\, “and then you realize that they’re grist for the mill. They’re grist to be sold to\, they’re to be exploited\, and they’re potentially fodder for our passion for guns. If your god in America is the gun\, the idea that we must have these guns\, then gods need sacrifices and our children are those sacrifices. And you wonder\, ‘Did we bring children in this world to sacrifice them to the various American gods?’ That’s another thing we’re kind of grieving. We’re all complicit in this\, and we’re all potentially going to have to pay.”\n\nThe disturbing\, apocalyptic quasi-reality of the album’s lyrics is matched and amplified by the music. Written by Hause with his younger brother Tim\, Drive It Like It’s Stolen—just like the three that preceded it\, as well as Tim’s 2022 debut full-length—is the distinct next phase of their creative partnership. The third release on the brothers’ own Blood Harmony record label\, it shakes up expectations while at the same time building off the sound and reputation Hause has established for himself over the past decade or so. “Damn Personal”\, for example\, is a boisterous blue collar anthem about lost friends that’s charged with electric emotion\, while the uplifting\, Petty-esque “Hazard Lights” ruminates on Hause’s sobriety and the temptation that exists when he’s around friends who still imbibe. Yet though there’s a specificity to those lyrics\, they’re easily applicable to other situations\, too. \n“That feeling of having the hazard lights on\,” says Hause\, “it’s just uncertainty. I’m kind of just pulled over here—I don’t know where I’m going\, I know where I’ve been\, the hazard lights are blinking\, so please don’t hit me because I’ve got to figure out what to do next.”  \nElsewhere\, there’s “chainsaweyes” and “lashingout”\, two very halves of the same whole that once again merge personal anxieties with universal horrors. Both ask important questions about identity and parenthood and responsibility and the difficulties of raising children in America. The former is backed by dramatic strings that emphasize the importance of the subject matter\, while the latter begins as a beautifully poignant acoustic tune before descending into a marvelously unexpected piano breakdown that wouldn’t be out of place in a saloon sometime in the 1800s. Don’t be deceived by what Hause calls the “sugar” of that part\, though—there’s still an important message underpinning it. \n“Both those songs are trying to assess that angry\, always devouring\, youthful\, testosterone-fueled American boy thing\,” explains Hause. “Raising boys in America\, you don’t want to fall on the wrong side of history with that. In “lashingout”\, that person who sings ‘I want to be God for a day’ at the end could be a school shooter. That wish could be something that would prompt someone to do something terrible. Why would you want that power? You could really hurt people. But here’s the thing—we all feel like lashing out like that at points. But what is it that’s prompting this feeling that you want to change everything\, and do you have it right? Are you righteous in that anger of wanting to lash out?” \n Drive It Like It’s Stolen was engineered and mixed by David Axelrod\, and—like Blood Harmony—produced by Will Hoge and recorded at Santi Sound in Nashville\, though with a different set of musicians than that album’s all-star cast. Yet that’s not to the record’s detriment at all. On penultimate song “Tarnish”\, a song about both a life lived and one still being lived—past and present coalescing in a beautiful mesh of wistful self-reflection\, Hause sings ‘I never got a golden record/I guess the melodies were wrong.’ The performance and production of not just that song\, but this whole record\, proves that sentiment entirely wrong. It’s followed by “The Vulture”\, a song that harks back to the defiance that dominated Kick but which is recast with his children in mind. It feels\, too\, like the cementing of the thematic shift he’s making on this record. These songs may still be for Hause\, but they’re increasingly less about him. \n“My life is getting increasingly less interesting\,” he smiles. “And that’s by design. You want to be steady\, you want to be at a baseball practice or taking your kids to gymnastics or whatever it is. You don’t want to necessarily be staring into the abyss all the time and trying to determine your existential weight. I don’t want my life to become fodder for songs—I want my creativity to be the fodder for songs.” \nWith this particular car ride\, then\, Hause is en route to a whole new world. Whether real or imagined or a combination of both\, it’s time to buckle up for the ride.  \nFood & Bar: Our full food and drink menu will be available before and during the show. \n 
URL:https://nataliesgrandview.com/events/dave-hause/
LOCATION:Natalie’s Grandview – Music Hall Stage\, 945 King Avenue\, Columbus\, OH\, 43212\, United States
CATEGORIES:Music Hall Stage
ATTACH;FMTTYPE=image/png:https://nataliesgrandview.com/wp-content/uploads/2023/10/Dave-Hause-Natalies-Music-Hall-IG-Graphic.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240323T193000
DTEND;TZID=America/New_York:20240323T193000
DTSTAMP:20240118T115933
CREATED:20240101T050137Z
LAST-MODIFIED:20240115T211912Z
UID:130890-1711222200-1711222200@nataliesgrandview.com
SUMMARY:Lost Weekend Records 21st Anniversary Show
DESCRIPTION:Natalie’s is thrilled to celebrate 21 Years of Lost Weekend Records! \nOne ticket gives you access to a full night of music on two stages featuring (all times approximate): \nMusic Hall Stage:\nConnections – 11:30pm\nMarried FM (debut show)- 10:30pm\nGreat Plains (reunion)- 9:30pm\n3rd Pyramid  – 8:30pm\nA Beautiful View – 7:30pm \nCharlie’s Stage:\nDevil’s Payroll  midnight\nAngela Perley Duo – 10:30pm\nMyron Hart Trio – 9:30 pm\nJohn Hurlbut & Skott Brown –  8:00pm \nPlus free Happening Hour set from: Me & Lil’ Brother on Charlie’s Stage at 5:00 PM (tickets not required for the Happening Hour show\, reservations encouraged)  \nFood & Bar: A limited food menu as well as our full bar will be available before and during the show.
URL:https://nataliesgrandview.com/events/lost-weekend-records-21st-anniversary-show/
LOCATION:Natalie’s Grandview – Music Hall Stage\, 945 King Avenue\, Columbus\, OH\, 43212\, United States
CATEGORIES:Charlie’s Stage,Music Hall Stage
ATTACH;FMTTYPE=image/jpeg:https://nataliesgrandview.com/wp-content/uploads/2024/01/21st-Anniversary-Poster-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240328T193000
DTEND;TZID=America/New_York:20240328T193000
DTSTAMP:20240118T115933
CREATED:20231004T164506Z
LAST-MODIFIED:20240115T003221Z
UID:129977-1711654200-1711654200@nataliesgrandview.com
SUMMARY:Louisiana Calling with The Sonny Landreth Band and The Iguanas - SOLD OUT!
DESCRIPTION:The deep roots tag team of Cajun slide guitar phenom Sonny Landreth and legendary New Orleans Latin-Americana rockers the Iguanas presents a mind-blowing musical trip through the scenic soundscape of the bayou. Still wet from crawling out of the swamps\, this cross-pollinated confection will be both savory and sweet. \nLouisiana’s calling—here’s your chance to answer. \nPhoto credit: Robley Dupleix \nFood & Bar: Our full food and drink menu will be available before and during the show.
URL:https://nataliesgrandview.com/events/louisiana-calling-sonny-landreth-and-the-iguanas/
LOCATION:Natalie’s Grandview – Music Hall Stage\, 945 King Avenue\, Columbus\, OH\, 43212\, United States
CATEGORIES:Music Hall Stage
ATTACH;FMTTYPE=image/jpeg:https://nataliesgrandview.com/wp-content/uploads/2023/10/Iguanas_Landreth_byRobleyDupleix_web_6921.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240330T200000
DTEND;TZID=America/New_York:20240330T200000
DTSTAMP:20240118T115933
CREATED:20240115T174948Z
LAST-MODIFIED:20240115T175105Z
UID:131135-1711828800-1711828800@nataliesgrandview.com
SUMMARY:Sly Stone Tribute Concert and Birthday Celebration
DESCRIPTION:The Sly and the Family Stone Tribute Band returns to Natalie’s for “A Music Tribute and Birthday Celebration for Sly & the Family Stone”. The Tribute Band will feature singers Vicki Saunders\, Tia Harris\, Ron Jenkins\, and backed by the brilliant sounds of the Urban Jazz Coalition. Throw on some funky 70’s clothes and win a Natalie’s Gift Card for being the best dressed and most spirited! Most of all\, come out to dance and have fun celebrating Sly’s uplifting music performed by this outstanding band that will take you higher and higher! \nSylvester Stewart\, aka Sly Stone\, helped change the ‘70s music landscape with his psychedelic brew of funk and soul. Sly began his music career singing gospel with his brother Freddie\, sisters Rose and Vaetta as The Stewart Four. Years later\, he adopted the surname Stone and created his legendary soul-psychedelic funk sound as Sly and the Family Stone. He produced such hits as “Stand\,” “Thank You (Falettinme B Mice Elf Agin)\,” “Everyday People\,” “Sing A Simple Song”\, “Dance to the Music”\, “Hot Fun in the Summertime\,” “I Wanna Take You Higher\,” and “It’s a Family Affair.” \nFood & Bar: Our full food and drink menu will be available before and during the show. If you have Standing General Admission tickets\, a limited menu of pizza and fries will be available to order from the bar. If you would like to eat before the show we encourage you to make a dinner reservation on Resy for our kitchen side of the venue.
URL:https://nataliesgrandview.com/events/sly-stone-tribute-concert-and-birthday-celebration/
LOCATION:Natalie’s Grandview – Music Hall Stage\, 945 King Avenue\, Columbus\, OH\, 43212\, United States
CATEGORIES:Music Hall Stage
ATTACH;FMTTYPE=image/jpeg:https://nataliesgrandview.com/wp-content/uploads/2022/02/Sly-and-the-Family-Stone-Tribute-Band-2018.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240331
DTEND;VALUE=DATE:20240401
DTSTAMP:20240118T115933
CREATED:20230403T004402Z
LAST-MODIFIED:20231229T010451Z
UID:127600-1711843200-1711929599@nataliesgrandview.com
SUMMARY:CLOSED
DESCRIPTION:We are closed today\, March 31st for a staff party. We will reopen for normal business hours on Wednesday\, April 3rtd at 5pm. We will see you then!
URL:https://nataliesgrandview.com/events/closed-5/
LOCATION:Natalie’s Grandview – Music Hall Stage\, 945 King Avenue\, Columbus\, OH\, 43212\, United States
CATEGORIES:Charlie’s Stage,Music Hall Stage
ATTACH;FMTTYPE=image/png:https://nataliesgrandview.com/wp-content/uploads/2023/04/Staff-Battle-of-the-Bands_3.31.23.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240423T193000
DTEND;TZID=America/New_York:20240423T193000
DTSTAMP:20240118T115933
CREATED:20240109T150012Z
LAST-MODIFIED:20231217T204702Z
UID:130772-1713900600-1713900600@nataliesgrandview.com
SUMMARY:Larry Campbell & Teresa Williams
DESCRIPTION:Acclaimed Americana musicians Larry Campbell and Teresa Williams are a powerhouse of vocal and instrumental virtuosity. Initially Larry and Teresa made their marks separately – Larry as indispensable multi-instrumentalist with Bob Dylan\, kd lang\, Sheryl Crow\, Keith Richards\, Emmylou Harris and others\, and Teresa as a stage actor in productions like Keep On the Sunny Side where she portrayed Sara Carter and Always… Patsy Cline. Their performing partnership was molded recording and touring with Levon Helm\, iconic drummer and voice of The Band. \nThe couple’s albums\, 2015’s Larry Campbell and Teresa Williams and 2017’s Contraband Love opened doors and ears as they toured on their own and with Jackson Browne\, Phil Lesh & Friends\, John Prine and Little Feat. Mojo Magazine dubbed the pair “The first couple of Americana\,” and American Songwriter wrote: “they have created a unique sound inspired by the past\, that is spirited\, stirring and timeless.” In 2020 Larry & Teresa were profiled in the ten-part documentary series titled It Was the Music on Amazon Prime which gave viewers an intimate view of the realities of pursuing life as professional musicians. Their 2023 release Live at Levon’s! is the duo’s most recent album\, recorded live at Levon Helm Studios in Woodstock\, NY. \nFood & Bar: Our full food and drink menu will be available before and during the show. \n 
URL:https://nataliesgrandview.com/events/larry-campbell-teresa-williams/
LOCATION:Natalie’s Grandview – Music Hall Stage\, 945 King Avenue\, Columbus\, OH\, 43212\, United States
CATEGORIES:Music Hall Stage
ATTACH;FMTTYPE=image/png:https://nataliesgrandview.com/wp-content/uploads/2023/12/Larry-Campbell-Teresa-Williams-Natalies-Music-Hall-IG-Graphic.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240425T193000
DTEND;TZID=America/New_York:20240425T193000
DTSTAMP:20240118T115933
CREATED:20231106T171446Z
LAST-MODIFIED:20231106T171446Z
UID:130347-1714073400-1714073400@nataliesgrandview.com
SUMMARY:The young dubliners
DESCRIPTION:After thirty years as one of the world’s leading Celtic Rock bands\, The Young  Dubliners have begun work on their tenth studio album while still maintaining  their busy tour schedule. \nHaving survived the crushing impact of the lockdown on their industry they  have returned stronger than ever and determined to bring their fusion of  Celtic and rock music to as many people as they can. \nThe band is Keith Roberts (vocals / guitar)\, Chas Waltz (Violin\, keys\, vocals)\,  Justin Pecot (guitar\, vocals)\, Dave Ingraham (drums) and Ethan Jones (bass  guitar) \nWith a solid line up\, a new batch of songs and the help of their new agency\,  Skyline\, The YD are excited to bring live music back into festivals\, theaters and  clubs around the world. \n“We want to be the band who reminds the world how important a good gig can  be to our sanity after what we’ve all been through” says Roberts. \nFor only the second time the band is looking to its fans to finance the album  instead of a traditional record company. “The business has changed so much  over our lifetime that it no longer makes sense for us to take money from a  label and then owe it all back” adds Roberts. “Making all our supporters co  producers is a far more rewarding way to make a record and allows us to  maintain control all the way”.  The band have teamed up with long time  producer\, Irish born Tim Boland\, and will begin recording in the coming  months. \nThe Young Dubliners have released nine albums to date. The set on the  upcoming dates will draw from all their albums and include unreleased new  material. \nIn recent years the Young Dubs have appeared twice on ABC’s Jimmy Kimmel  Live\, had songs featured in TV shows (Sons Of Anarchy\, Human Target) and  toured extensively as a headliner and as the opener for such a diverse list of  artists as Collective Soul\, Jethro Tull\, Johnny Lang\, Los Lobos\, Chris Isaak and  many more. \nAlthough the Young Dubliners sound is most commonly called ‘Celtic Rock’\,  that label can often be misleading. The Irish influence is certainly there\, but  it’s not the only influence that bursts through on their albums or live shows. \nAfter all\, several of the band members have no Irish roots of any kind. “That  was always the idea”\, explains Roberts “The sound was intended to be a hybrid  because we all come from different backgrounds. Even though I am from  Ireland\, a lot of the music I listened to growing up wasn’t Irish at all\, but when  I got here\, I got homesick and developed a new appreciation for Irish Music. In  truth the Celtic riffs can just as easily come from the American band members.  Everyone writes now so you never know what you’ll end up with” \nFood & Bar: A limited food menu of pizza and fries as well as our full bar will be available before and during the show. If you would like to eat before the show\, we encourage you to make a dinner reservation by going to Resy.
URL:https://nataliesgrandview.com/events/the-young-dubliners/
LOCATION:Natalie’s Grandview – Music Hall Stage\, 945 King Avenue\, Columbus\, OH\, 43212\, United States
CATEGORIES:Music Hall Stage
ATTACH;FMTTYPE=image/png:https://nataliesgrandview.com/wp-content/uploads/2023/11/The-Young-Dubliners-Natalies-Music-Hall-IG-Graphic.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240426T200000
DTEND;TZID=America/New_York:20240426T200000
DTSTAMP:20240118T115933
CREATED:20231128T152040Z
LAST-MODIFIED:20240110T015507Z
UID:130571-1714161600-1714161600@nataliesgrandview.com
SUMMARY:NRBQ
DESCRIPTION:“One of the world’s greatest bands … an American treasure.”  — Entertainment Weekly   \nNRBQ is Terry Adams\, Scott Ligon\, Casey McDonough\, and John Perrin. “NRBQ”\, which stands  for New Rhythm and Blues Quartet\, has often been called a national treasure\, which may be  why the band’s music has attracted legions of devoted fans worldwide\, including Jimi Hendrix\,  Elvis Costello\, Penn & Teller\, Doc Pomus\, R.E.M.\, SpongeBob SquarePants\, Michael J. Pollard\,  Ian McLagan\, Steve Earle\, Drew Carey\, and Nick Lowe\, among many others. NRBQ songs have  inspired cover versions by Bonnie Raitt\, Los Lobos\, Darlene Love\, Dave Edmunds\, She & Him\,  Widespread Panic\, Yo La Tengo\, and more.   \nThe group served as the unofficial “house band” for The Simpsons for Seasons 10-12. They  appeared as zombies in George Romero’s movie Day of the Dead. They have appeared at the  Berlin Jazz Festival\, the Grand Ole Opry\, and Wilco’s Solid Sound Festival. In their 50+ year  career\, NRBQ has released almost as many albums\, including a series of critically acclaimed  titles in the past decade\, among them Keep This Love Goin’ (2011)\, Brass Tacks (2014)\, and the  5-disc\, 50-year retrospective\, High Noon (2016). Of the brand-new studio album Dragnet\,  released at the end of 2021\, Bill Bentley in Americana Highways says\, “They play with such  startling and powerful simplicity\, a style that must be earned and not learned\,” while Uncut  says\, “[it’s] as though the history of 20th-century popular and unpopular music has gone  through thorough\, playful distillation.”   \n“For more than 50 years\, they have conjured a slippery blend of early R&B\, hardcore country\,  novelty songs and rockabilly by seizing the improvisational energy of jazz.” – Washington Post  \n“From the time of their debut album\, the group distinguished itself with its all-encompassing  fusion of rock\, pop\, jazz\, rhythm and blues\, folk\, and country from past and present. A sense of  humor and a penchant for spontaneity and invention have also served them well. Surf-rock\,  rockabilly\, doo-wop\, pop\, and classics from Elvis Presley to Al Jolson – they’re all here. Such a  diversity of material might hinder the cohesiveness of another rarities collection\, but in NRBQ’s  case\, it makes perfect sense given the band’s rich musical lineage.” —The Second Disc   \n“Just the fact that NRBQ has been around for over fifty years is pretty amazing. Can you believe  they’ve never put out a collection of rarities and unreleased tracks? It’s true. You’ve got to hand  it to the ArQive 50 crew because they somehow put together a cohesive collection of tunes  from a band that has never been able to settle on a style long enough for any rock critic – let  \nalone fan – to pigeonhole them. As I have said in previous NRBQ reviews (and as any fan will  attest) that’s a big part of what makes the Q so great.” —NuDisc   \n” … exuberant eclecticism and offhand virtuosity and inventiveness … NRBQ can refresh even  the most familiar songs – and do it without a trace of irony while exuding the infectious joy that  has been the hallmark of all their music-making.” —Philadelphia Inquirer   \n“A perfect combination of genius and joy.” — Jad Fair   \n“See them and get a rage to live.” –M.C. Kostek   \n“Inventing music right before our ears.” –Blurt   \n“NRBQ consistently discover real musical light in the darkest of souls.” –Hal Willner   \n“NRBQ have always been cool with being uncool which is\, perhaps ironically\, what makes them  so damn cool.” – Glide Magazine   \nFood & Bar: A limited food menu of pizza and fries as well as our full bar will be available before and during the show. If you would like to eat before the show\, we encourage you to make a dinner reservation by going to Resy. \n 
URL:https://nataliesgrandview.com/events/nrbq/
LOCATION:Natalie’s Grandview – Music Hall Stage\, 945 King Avenue\, Columbus\, OH\, 43212\, United States
CATEGORIES:Music Hall Stage
ATTACH;FMTTYPE=image/png:https://nataliesgrandview.com/wp-content/uploads/2023/11/NRBQ-Natalies-IG-Graphic.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240511T200000
DTEND;TZID=America/New_York:20240511T200000
DTSTAMP:20240118T115933
CREATED:20240118T164003Z
LAST-MODIFIED:20240118T164914Z
UID:131183-1715457600-1715457600@nataliesgrandview.com
SUMMARY:Illiterate Light + Spirit of the Bear
DESCRIPTION:Illiterate Light thrives on subverting expectations. Though just a duo\, the Harrisonburg\, Virginia-based singer-guitarist Jeff Gorman along with Nashville\, Tennessee-based drummer Jake Cochran make surprisingly pummeling and thoughtful alternative rock. Since the band’s 2015 inception\, they’ve intently focused on their unorthodox live show with Cochran standing behind his kit and Gorman playing synth bass with his foot as he sings and strums his guitar. Fiercely egalitarian and independent\, the two not only split up songwriting duties and arrangement ideas\, they even built bike-powered stages: bringing the fans into the live experience and envisioning a greener future for shows. \nBut with their latest album Sunburned\, out January 27 via Thirty Tigers\, Gorman and Cochran have turned their attention inward to their songwriting and studio craft. It’s their most fully-realized and ambitious LP yet\, one that’s full of immediate songs that update and revolutionize the band’s approach to making music. There are rich keyboard and programmed percussion textures now populating their songs\, as well as soaringly anthemic choruses\, and hefty doses of fuzz. “On our first record\, we were very live-focused and wanted to make sure whatever we were writing was translated in person\,” says Gorman. “Without that crutch\, we could be more adventurous and take more risks. We definitely weren’t timid in the studio.” \n \nSpirit of the Bear is a band with 2 keyboard players (double the national average). They quickly became one of the most fresh and exciting bands to emerge in the Ohio music scene with their unique brand of indie music and have shared tour dates with artists such as Crowded House\, Our Lady Peace\, Red Wanting Blue\, Robert DeLong and more. Consisting of James Harker (lead vocals\, guitar)\, Danny Svenson (keys\, electronics)\, Ethan Schwendeman (keys)\, and Jamie Vitullo (drums)\, the band’s new EP “There’s No Such Thing As Fire” features the singles “Live On The Sun” and “Wires\,” and a new EP is on the way later this year. \nFood & Bar: A limited food menu of pizza and fries as well as our full bar will be available before and during the show. If you would like to eat before the show\, we encourage you to make a dinner reservation by going to Resy.
URL:https://nataliesgrandview.com/events/illiterate-light-spirit-of-the-bear/
LOCATION:Natalie’s Grandview – Music Hall Stage\, 945 King Avenue\, Columbus\, OH\, 43212\, United States
CATEGORIES:Music Hall Stage
ATTACH;FMTTYPE=image/jpeg:https://nataliesgrandview.com/wp-content/uploads/2024/01/IMG_9706.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240701
DTEND;VALUE=DATE:20240705
DTSTAMP:20240118T115933
CREATED:20230702T020923Z
LAST-MODIFIED:20231231T010511Z
UID:128916-1719792000-1720137599@nataliesgrandview.com
SUMMARY:CLOSED
DESCRIPTION:We are closed Monday\, July 1st – Thursday\, July 4th for the Holiday! We will resume normal business hours on Friday\, July 5th at 5pm. We will see you then!
URL:https://nataliesgrandview.com/events/closed-6/
LOCATION:OH
CATEGORIES:Charlie’s Stage,Music Hall Stage
ATTACH;FMTTYPE=image/png:https://nataliesgrandview.com/wp-content/uploads/2023/07/July-4th.png
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20241128
DTEND;VALUE=DATE:20241129
DTSTAMP:20240118T115933
CREATED:20231231T011651Z
LAST-MODIFIED:20231231T011651Z
UID:130905-1732752000-1732838399@nataliesgrandview.com
SUMMARY:CLOSED
DESCRIPTION:We are closed Thursday\, November 28th for the Holiday! We will resume normal business hours on Friday\, November 29th at 5pm. We will see you then!
URL:https://nataliesgrandview.com/events/closed-8/
LOCATION:OH
CATEGORIES:Charlie’s Stage,Music Hall Stage
ATTACH;FMTTYPE=image/png:https://nataliesgrandview.com/wp-content/uploads/2023/12/Thanksgiving-2024.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241224
DTEND;VALUE=DATE:20241226
DTSTAMP:20240118T115933
CREATED:20231231T012106Z
LAST-MODIFIED:20231231T012106Z
UID:130908-1734998400-1735171199@nataliesgrandview.com
SUMMARY:CLOSED
DESCRIPTION:We are closed Tuesday\, December 24th – Wednesday\, December 25th for the Holiday! We will resume normal business hours on Thursday\, December 26th at 5pm. We will see you then!
URL:https://nataliesgrandview.com/events/closed-9/
LOCATION:OH
CATEGORIES:Charlie’s Stage,Music Hall Stage
ATTACH;FMTTYPE=image/png:https://nataliesgrandview.com/wp-content/uploads/2023/12/Christmas-2024.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250101
DTEND;VALUE=DATE:20250102
DTSTAMP:20240118T115933
CREATED:20231231T014142Z
LAST-MODIFIED:20231231T014142Z
UID:130911-1735689600-1735775999@nataliesgrandview.com
SUMMARY:CLOSED
DESCRIPTION:We are closed Wednesday\, January 1st for the New Year! We will resume normal business hours on Thursday\, January 2nd at 5pm. We will see you then!
URL:https://nataliesgrandview.com/events/closed-10/
LOCATION:OH
CATEGORIES:Charlie’s Stage,Music Hall Stage
ATTACH;FMTTYPE=image/png:https://nataliesgrandview.com/wp-content/uploads/2023/12/New-Year.png
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END:VCALENDAR